There is strangeness in beauty, and vice versa. Somewhere between crowd-pleasing popularity and breaking the rules outright, there's a place where we take chances on an open mind or two, and encourage the evolvement. It's a very safe place... just a little more interesting. When you've had your fill of the comfortingly familiar, by all means, feel free to take a detour into other possibilities. Don't be afraid - it's only music. All track production and performance by Solo unless otherwise noted.
It is the way of communicating where language and emotion falls short. It is the way of sharing ideas that can't be explained rationally. It is a combination of getting away with misbehaving in public and transcending to one's highest state of being, simultaneously. It is living lawlessly without doing anyone harm. It is demonstrating how far limits can be pushed, and seeing if others are willing to stretch that far. It's how to connect when nothing else works.
Yes, most of my dreams have musical accompaniment. That's where many ideas come from.
I'd get out of its way so it could keep changing without my help (interference). I wish more people would do that.
Uranus The Magician, by Gustav Holst
Currently I'm quite fond of The Claypool/Lennon Delirium. King Gizzard and The Lizard Wizard are also pretty interesting. Ozric Tentacles seem to be my preferred dinner music.
Imagining music of the future, or from other worlds, things that haven't been tried yet.
It's the only time people see me as myself.
I try to avoid seeing others' reality as much as possible. Many of the musicians I know live a very finite and restricted reality, and it is not of interest to me.
It's kinda cute.
I'm a musician with a day job that has nothing to do with music.... so I'm frustrated with time constraints and narrow-minded listeners.
I don't support "scenes". I support adventurous, original thinkers who refuse to be tethered to styles, scenes, and nostalgic sentiment. I show up at their performances, buy their recordings, and tell lots of other people about them whether they care or not.
If a person wants to be really popular, they need to pander to the mediocre preferences of the majority. The majority of listeners don't seem to have very high standards; they care more about the performer's personality than what they have to offer creatively. So the most assuring qualities are: Youth, attractiveness, a well-crafted voice, fashionable outfits, corporate ambition, irresistible charm, and competent backup players if they themselves aren't instrumental virtuosos. Obviously I'm the wrong person to ask about this, because I'm not willing to do what it takes to be significantly popular. Caring what a lot of people like is not what drives me as an artist.
Dogma Probe. Freshly Wrapped Candies. Elisabeth Waldo. Koenji Hyakkei. The United States Of America (yes, that was a band). Screaming Gypsy Bandits. SchizoBrainiac. 180Gs.