Lloyd Stephen North : COUNTRY AMERICANA SINGER SONGWRITER & LIVE COVERS ARTIST : Plays _Pubs, ,Outdoor Festivals, Wine Bars, Restaurants, Boat Parties. Family ties roots in Montpelier Virginia USA. Lives in UK. ,Started playing in wine bars as teenager , whilst working in Travel Industry Career, played live dates at weekends ,and on holidays, in UK, and abroad. alongside working full time Made USA Canada roadtrips ,visited France, Spain, Austria, Greece & Islands and Scandinavia, Morocco, in many different venues , developing live style .my live shows now also include classic covers from 60s era to now , as well as original songs in style NO BACKING TRACKS ARE USED instruments played , 6 @ 12 string acoustic guitar styles, , harmonica, 5 string bluegrass banjo ,and vocals. Plays piano also mainly for composition.,
Freedom of expression , on life , nature , memories, new ideas, songcraft, playing live , interacting with all kinds of audiences
As a songwriter for artists to cover my songs, and to be successful artist live and on record
Eradicate hunger, poverty, avoid war, maintain conservation, preserve the Earth
If I Were A Carpenter
Tim Hardin, Dan Fogelberg, Paul Simon, America, Crosby Stills Nash ,Jim Croce .Hank Williams , Elvis
Relationships, family, different guitar sounds, melody , writing composing, giving new songs to the world Continuous study of technique and mandolin, and 12 string guitar
Be different, not corporate, individual, let the songs flow through you, write from what you know about, study an instrument for composing , always try for originality in your own style, style stays fashion fades
Sense of achievement, wonderful moment connecting with others, free thought , a sense of its all worth the hours writing practising , when you hear applause.
For labels to invest in original songwriting talent, like years ago , back the original artist ,rather than just mainstream manufactured pop, which we are sold all the time..Back in the day , most artists first 2 or 3 albums sold poorly, but the label stuck with them. A solid writer"s album will make just as much money , and be around longer. All the old artists are still playing live, tours , it shows what the mass audience really want
Wonderful site connect with other artists, spreading my music , listening to others originality interaction. Just what music online neeeds
Being told to always play for free, as many artists do. One free introduction night is ok, though. Pop artists lip synching, earning fab money in the process. And there are venues that could benefit from original talent , themed song nights , professional sound , but they only have solely jam nights or open mic, or karaoke type tribute acts. They are in majority. For every one of these an original artist cannot be heard or paid This works for the venue not artist, and should benefit both . There should be a balance somehow
Yes, if I can , go to see certain artists, wine bars, folk clubs , but not open mic nights
Originality, sincerity, polished instrument playing technique , play in front of any audience, festivals, wine bars etc , I"ve done them all, and it helps , and different age ranges, Sing of things you believe in, you relate to, then people relate to you in turn. pitch songs to labels as writer not only performer. But labels have to change, otherwise manufactured pop computer beats , will stay til everyone is tired of it, which is maybe hopefully happening now.